IS A DIRECTOR AND CREATIVE TECHNOLOGIST FOR THE STAGE, THE SCREEN AND THE INTERACTIVE. SHE IS BASED IN NEW YORK CITY.

CHLOÉ DESAULLES

Mixed Reality Tools for Reporters
^{(THE NEW YORK TIMES R&D)}
;

Design Patterns for Mixed Reality Stories
^{(THE NEW YORK TIMES R&D)}

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Future of Journalism & Headsets
^{(THE NEW YORK TIMES R&D)}
;

Designing MR Journalism for the Open World

^{(THE NEW YORK TIMES R&D)}

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Arlo Parks “Get Go” ^{(MUSIC VIDEO)}
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Veneer (2026)^{(SHORT FILM)}
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Le Plus Haut des Frênes (2026)^{(SHORT FILM)}

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Megan Thee Stallion ^{(MUSIC VIDEO)}
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Versace Shanghai SS21^{(INSTALLATION)}

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Lucky Daye ^{(MUSIC VIDEO, LIVE VISUALS & COVER)}

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World Cup 2022 ^{(3D INTERACTIVE, THE NEW YORK TIMES)}

;

Van Cleef & Arpels for The American Museum for Natural History ^{(PERFORMANCE CREATIVE DIRECTION)}

;

The HTML Review: Answered Interruptions ^{(INTERACTIVE ARTICLE )}
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Erie Bicentennial Exhibition ^{(MUSEUM DESIGN)}

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Dedications I-V (2019)^{(VOLUMETRIC FILM)}

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Lemme by Kourtney Kardashian ^{(BRANDING+STRATEGY)}

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Hangover by Charlotte Rose Benjamin ^{(MUSIC VIDEO)}

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Add. Client Work : Moncler Genius | Louis Vuitton | The MET ++^{(ART DIRECTION + CREATIVE TECH)}

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Writing ^{(BYLINE, HTML REVIEW)}