^➀Mixed Reality Tools for Reporters
^{(THE NEW YORK TIMES R&D)}
;

^➁

Design Patterns for Mixed Reality Stories
^{(THE NEW YORK TIMES R&D)}

; ^➂
Future of Journalism & Headsets
^{(THE NEW YORK TIMES R&D)}
;

^➃
Designing MR Journalism for the Open World

^{(THE NEW YORK TIMES R&D)}

;

Le Plus Haut des Sapins (2023)^{(SHORT FILM, COMING SOON)}

;

Alicia Keys @ Showpalast ^{(CONCERT DESIGN)}

;

Versace Shanghai SS21^{(INSTALLATION)}

;
Lucky Daye ^{(MUSIC VIDEO, LIVE VISUALS & COVER)}
;
World Cup 2022 ^{(3D INTERACTIVE, THE NEW YORK TIMES)}
;
Erie Bicentennial Exhibition ^{(MUSEUM DESIGN)}
;

Dedications I-V (2019)^{(VOLUMETRIC FILM)}

;

Lemme by Kourtney Kardashian ^{(BRANDING+STRATEGY)}

;
Snap Partner Summit 2021-2022 ^{(VIRTUAL CONFERENCE)}
;

Snapchat Lensfest 2020-2021 ^{(VIRTUAL CONFERENCE)}

;

LIDAR Environments ^{(3D IMAGING)}

;

Documentary ^{(PHOTOGRAPHY)}

;

Add. Client Work : Moncler Genius | Louis Vuitton | The MET ++^{(ART DIRECTION + CREATIVE TECH)}

;

Photogrammetry ^{(MISCELLANEOUS CAPTURES)}

;

Curiosities ^{(ALL ELSE)}

CHLOÉ DESAULLES

Lucky Day Video Performance

Role • Computational Artist on all background graphics.Client • RCA Records

Lucky Day
Video Performance

Role • Computational Artist on all background graphics.
Client • RCA Records