^➀Mixed Reality Tools for Reporters
^{(THE NEW YORK TIMES R&D)}
;

^➁

Design Patterns for Mixed Reality Stories
^{(THE NEW YORK TIMES R&D)}

; ^➂
Future of Journalism & Headsets
^{(THE NEW YORK TIMES R&D)}
;

^➃
Designing MR Journalism for the Open World

^{(THE NEW YORK TIMES R&D)}

;

Le Plus Haut des Sapins (2025)^{(SHORT FILM, COMING SOON)}

;
Megan Thee Stallion ^{(MUSIC VIDEO)}
;

Alicia Keys @ Showpalast ^{(CONCERT DESIGN)}

;

Versace Shanghai SS21^{(INSTALLATION)}

;
Lucky Daye ^{(MUSIC VIDEO, LIVE VISUALS & COVER)}
;
World Cup 2022 ^{(3D INTERACTIVE, THE NEW YORK TIMES)}
;
Erie Bicentennial Exhibition ^{(MUSEUM DESIGN)}
;

Dedications I-V (2019)^{(VOLUMETRIC FILM)}

;

Lemme by Kourtney Kardashian ^{(BRANDING+STRATEGY)}

;

Hangover by Charlotte Rose Benjamin ^{(MUSIC VIDEO, COMING SOON)}

>

;

LIDAR Environments ^{(3D IMAGING)}

;

Documentary ^{(PHOTOGRAPHY)}

;

Add. Client Work : Moncler Genius | Louis Vuitton | The MET ++^{(ART DIRECTION + CREATIVE TECH)}

;

Photogrammetry ^{(MISCELLANEOUS CAPTURES)}

;

Curiosities ^{(ALL ELSE)}

CHLOÉ DESAULLES

Megan Thee Stallion

Role • Visuals and VFXClient • Megan Thee Stallion + Black Dog Films

Role • Visuals and VFX
Client • Megan Thee Stallion + Black Dog Films